I don't often paint scenes of boats or the sea, but after seeing work by Robert Brindley and Haidee-Jo Summers I was inspired. I make no claim to have the skill or talent of those two I believe you only improve if you challenge yourself by trying. A scene looking directly into the sun (centre jour) allows for a dramatic contrast and some bright sparkle on the water. It also puts objects into partial or complete silhouette which makes for simplified shapes, something a painter often considers when composing. In my watercolour here, I have used an image shot on a telephoto lens, foreshortening the yacht into a dramatic vertical motif, leaning over to give a sense of movement with a few figures on the right to balance both the vessel and my painting. The palette was kept to four colours: cerulean blue, French ultramarine, brown madder and red. A touch of white gouache was employed to pick out some highlights. Overall, I'm pleased with the painting, but would like to improve the sea, to give it more sparkle. Onwards!
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October 2024
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